Monday, October 31, 2011

Hallo Happyween!

skull doodle (pen)  stevensalerno.com
It seems that nearly every channel I flipped to on the TV this month has been showing horror flicks, in honor of Halloween. (I think I saw a psychotic Michael Meyers slash a young Jamie Lee Curtis about ten times on ten different channels.) My personal favorite was seeing George Romero's cult classic film (1968) "Night of the Living Dead" again.

Inevitably I always doodle on scraps of paper and envelopes while watching TV... posted here is a detail of one such doodle made recently, most likely influenced by all the campy, scary movies on the tube.

Visit stevensalerno.com to see all my illustration portfolio samples... and most relevant to Halloween, click on the "Other World Sketches" portfolio section.

Wednesday, October 19, 2011

Sherlock Holmes used an iPad and Abraham Lincoln was a Biker

sketch for "Sherlock with an iPad" visit stevensalerno.com
 "Sherlock with an iPad" visit stevensalerno.com
 "Honest Abe Motoring" visit stevensalerno.com

 "Brothers At Bat" illustrated by Steven Salerno  pub date: April 2012


final illustration from "Brothers At Bat" illustrated by Steven Salerno  Visit stevensalerno.com

Visit stevensalerno.com to view all my portfolio samples.


Every year since about 1992 I have advertised my illustration work in all the various illustration directories via self-promotional ads, with WORKBOOK being one of them (and it being the directory that has consistently yielded the best results for me). This year WORKBOOK altered their longtime usual book format, from being one 8x10" sized book released in February, to two smaller 7x9" sized books with one released in March and the other in September. (distributed for free to about 18,000 art directors across the country and abroad)

In the current 2011 September Workbook#33 that is out now, my ad page (shown above) is of a nostalgic 1940's scene with two golfers engaged in a match and a small gallery following their play. It's my charcoal drawing blended, via Photoshop, with a gouache painted background then with some added digital color. This golf image is actually one of my personal golf images found on my golf art site, SASgolf.com, but I liked it so much I decided to use it to also advertise my illustration site, stevensalerno.com. 

Having elected to also advertise in next year's 2012 WORKBOOK#34 illustration books as well, I had to prepare the new artwork for the March 2012 book last month and get it out to the WORKBOOK production department in Los Angeles. And since I really liked the look and feel of the "golf image ad" seen in the current WORKBOOK illustration directory I decided to create another "retro" topic image again. I doodled out a rough preliminary concept (shown above) of the legendary fictional character Sherlock Holmes hunting a trail of footprints with a magnifying glass (his cliche pose) but gave this cliche scene a modern twist by supplying Sherlock with an iPad 2 and his "magnifying glass" being an app on the iPad's screen. Solving crimes just became a bit easier in foggy old London town!

The final illustration of Sherlock Holmes to be used as the 2012 WORKBOOK illustration directory ad (shown above) was created by blending a charcoal and wax pencil drawing, via Photoshop, onto a painted gouache background (the texture created by flicks of paint from a toothbrush) and then adding digital color and effects. Originally I made the scene with a bluish-gray foggy background, but then decided to make the background clearer and employed a red-lavender color theme to make the whole image feel much more contemporary.

I enjoyed creating the "Sherlock" image so much, having to faithfully depict this character from the past, yet also giving it some modern interest, that I then created the next image shown above... President Abraham Lincoln as a biker... kind of like Marlon Brando in the 1953 rebel biker film, "The Wild One." I was wondering what Honest Abe did to get away from all the pressures of the Oval Office and came up with the fantasy that he was a rugged biker type who toured the countryside on his Harley to clear his head. I gave him a caricature extra lean look, leather jacket (no helmet law back in 1864!) and a blank gaze from extreme political fatigue. The motorcycle he is riding is a rough blend of 1930's and '40's bikes... and admittedly without bothering much with actual engineering details to the bike. The illustration was created by blending, via Photoshop, my crayon and gouache drawing of Abe and the bike with a Civil War era newspaper article as the background. The colors were then all done digitally in Photoshop.

How did I get caught up in this "retro" kick I wondered? I did not have to fathom this mystery very long, realizing it was because I had recently done all the illustrations for the picture book "Brothers At Bat" written by Audrey Vernick. It's the new children's book being published by Houghton Mifflin Harcourt (to be released in spring 2012) and is the true life story of 12 brothers who formed their own semi-pro baseball team and played in the 1930's, '40's and '50's and were honored by the Baseball Hall of Fame in 1996. I had such fun drawing the period clothing, uniforms, cars, etc... for this baseball book that I guess the feeling of it spilled over and became the spark which lead me to create the Sherlock Holmes and Abe Lincoln "retro" images. The final images shown above are a sneak peek at a couple of the illustrations from "Brothers At Bat." Look for it in book stores, and on the Amazon and Barnes & Nobles web sites next spring!

Monday, September 19, 2011

Baltimore Sun fall ARTS guide (cover art)

BaltimoreSun.com ARTS cover    visit stevensalerno.com
caricature of Susan Boyle   visit stevensalerno.com

caricature of Bill Clinton   visit stevensalermo.com

Even though my illustration web site doesn't have any samples at all of portraits or caricatures of real people anywhere in my various portfolios... I still get art directors who contact me with assignments to do just that. I 'm not sure why I don't post any samples of caricatures or portraits of real people, because I have certainly done many such assignments in the past. I guess it is just not an angle within illustration that I wish to pursue. I'll leave it up to the Robert Risko's of the illustration world to carry that load!

Recently I was contacted by Jay Judge, creative director at The Baltimore Sun and was asked to create an illustration for the cover of their fall ARTS guide publication...and it had to include Jay Z, Kanye West, the logo icon from The Lion King, and film director John Waters! Quite a strange collection of bedfellows to all compose into one cohesive image to say the least. But I gave it a shot. Posted here is the final cover image. In this instance, with the portrayals of the Jay Z, Kanye, and Waters I did not really push it into the realm of caricature...but elected to rendered them in fairly natural proportions.

Also posted though, are a couple other samples of more "caricature" driven depictions I have done in the past.... of singer Susan Boyle and ex-president Bill (Bubba) Clinton.

Visit stevensalerno.com to view all my portfolio samples.

Monday, July 18, 2011

Limited Edition Prints available from illustrator Steven Salerno

© Steven Salerno  "East Village Cafe"    -visit stevensalerno.com

© Steven Salerno  DETAIL "East Village Cafe"    -visit stevensalerno.com

© Steven Salerno  endpapers from HARRY HUNGRY!    -visit stevensalerno.com

© Steven Salerno  "nature,man,wine,food"    -visit stevensalerno.com

© Steven Salerno  "Late Night NYC"    -visit stevensalerno.com

© Steven Salerno  "O Petit Bar"    -visit stevensalerno.com

I finally stopped procrastinating and completed the section on my illustration web site, stevensalerno.com, where viewers can now purchase limited edition prints of some of the illustrations and drawings I have done over the years.

(navigation: Use the pop-down illustration portfolio menu at the top of the homepage and click on the LIMITED EDITION PRINTS section to view the available art prints. And the site's bottom menu bar will have the "image info," the "pricing," and the "add to cart" scroll-overs and link...)

Currently there are 14 various art images available as a limited edition print, ranging from whimsical illustrations I created for children's picture books, to food art, and all the way across the content spectrum to much earlier drawings I did of the punk scene in NYC in the early 1980's... with more of my art images becoming available as prints soon. 

To create these art prints, my original artwork is digitally scanned then superbly printed on acid-free 100% cotton rag fine art paper with brilliant permanent pigment inks. Using advanced inkjet printing technology which sprays millions of continuous microscopic ink droplets with unsurpassed precision, the quality of these high resolution Giclee art prints is exquisite, resulting in rich, vibrant images that accurately capture the colors and tones of the original art. This is the same ultra-fine inkjet reproduction process museums use to make precision replicas of art in their collections. I hand number & sign each print within the limited edition. Most of the editions are a total of just 100 prints. You receive the unframed print and a Certificate of Authenticty registered to the buyer. (gift wrapping is not available)

These prints are truly of terrific quality, and are rated (in terms of retaining their color pigmentation level) to last up to 200 years without any significant fading... but this is contingent upon the print being properly framed and sealed behind 98% UV protected glass or acryic (plexi-glass) as well as not being displayed on a wall receiving any strong direct sunlight or in an area of high humidity. 

The secure on-line purchase transaction is conducted through PayPal -but if there is anyone still adverse to making purchases through the web... contact me at steven@stevensalerno.com and we can certainly do it the old school way and work out a payment via check through the mail.

I am thrilled and honored that there are people out there who want to own one of my prints for their personal home collections! 

Thursday, July 7, 2011

Are You Lost?

It seems that even if I include samples of map illustrations I have done for clients in the past, I still get art directors who will call and ask, "Do you do maps?"  "Of course," I reply. "Are you lost?"

visit stevensalerno.com to see more maps!
I have done so many map illustrations through the years, I've lost count! They are fun to do... and I prefer the kind if map assignments where the AD is just looking for a simple map visual with a mere visual suggestion of the geographic area in question, rather than a heavily detailed map with lots of icons within it... but inevitably most map assignments tend to be of the more detailed variety. It is through these kind of map assignments over the years that I first began developing my own way of creating hand lettering...

Posted here are just a few of my favorites. Above is a minimal-color map of Italy I did for a travel magazine assignment. It was created with gouache and a few splashes of watercolor and pastel.

visit stevensalerno.com to see more maps!
Keeping with the Italy theme, the map above depicts a shopping district in Milano. The map was one of several illustrations in a series for an advertorial for the Italian airline Alitalia. It was created with ink, pastel, crayon, and compiled in layers in Photoshop. The next sample of one of my map illustrations (below) is one I did for CRAIN'S Business NY, and depicts the Williamsburg area of Brooklyn, NYC. I created this one with textures painted in gouache, scanned into Photoshop, and then I "cut-out" the shapes I needed digitally, additionally adding in my little paintings of boats, waves, the bridge, a bus, etc... as well as my hand-lettering.

visit stevensalerno.com to see more maps!
The last map illustration sample is of a small upscale shopping area in Paris wedged between the Rue de la Roquette and the Rue de Charonne, with the charming "O Petit Bar" just around the corner. My favorite touch is the silhouette I made of the boy and dog in the foreground. This is an older illustration of mine, created well before I even began adding vector and other digital effect images to my ways of creating graphics. This map was created just with ink, pastel and watercolor, with the lettering done directly within the art image too. If I were to create this type image again today, I would definitely make it by scanning the various drawn and painted elements into Photoshop and then designing it in separate layers, which would all be SO much easier and a far more flexible way than the "traditional" way it was originally created!

visit stevensalerno.com to see more maps!
Visit my illustration web site, stevensalerno.com to see more samples of maps! As well as packaging, children's books, advertising, etc...

And I look forward to hearing from the next art director who calls and asks, "Do you do maps?"



Wednesday, May 18, 2011

That's Mr. Hogan to you...

painting study of Ben Hogan by artist Steven Anthony Salerno  -visit SASgolf.com

limited edition print entitled "9/64" by artist Steven Anthony Salerno -visit SASgolf.com

Usually, I keep entries to my illustration blog separate from my golf art blog, (see www.sasgolf.blogspot.com -the blog for my golf art gallery site, SASgolf.com) but sometimes I do decide to enter a post pertaining to my golf art on my illustration blog anyway...as a way to inform people who only know of me by my whimsical illustrations that I also have a whole other artistic endeavor with my golf art images.


Posted here is my painting study (gouache, watercolor and pencil on paper) of past PGA Tour iconic superstar, Ben Hogan, one of my favorite players and subjects. This painting was then merged with one of my photos of wood textures to create a final art image for my edition of prints entitled "9/64" -which refers to Mr. Hogan having won 9 major championships and 64 PGA Tour victories in his career, and is available on my site SASgolf.com in the "exclusive edition" category.

Monday, May 16, 2011

Rainy Day in Manhattan

sketch by Steven Salerno  -visit stevensalerno.com


It was a rainy day in Manhattan today... good for staying inside and working. Walking to the studio this morning, I observed the drizzle, rain and gray backdrop of concrete being punctuated brilliantly by little kids wearing rain gear of intense gloom-busting bright pinks, yellows, lavenders, blues, and greens... under equally color-saturated umbrellas, some so large that all I could see were a pair of rubber boots sticking out from under the umbrella bobbing up and down the sidewalk, moving forward (with an occasional directional adjustment given by mom's guiding hand) through the morning rush-hour throng scurrying off to work and school. Once in my studio, I did this quick sketch, posted here, from memory of one these brave inclement weather tots. My favorite though, was one fashion forward 4 year old wearing green boots in the shape of frogs, a raincoat with a monkey pattern (and the monkeys were wearing raincoats and rain hats!) and an umbrella in the shape of a giant duck. A future zoologist, no doubt.

After completing this little rainy-day sketch and contemplating it a bit, it reminded be of an Ernest H. Shepard illustration from Winnie the Pooh, written by A.A. Milne. I have also posted a scan of this particular drawing from my 1949 edition of the book. You can see the similarities... I guess an artist being amused at the sight of a little child wearing big boots and wielding an umbrella is an ageless charming vision.

Visit stevensalerno.com and click on the kids' books section to view my many children's picture books.